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She is gorgeous with her sprouting breasts, her reddened lips, and her mottled chest. The loving young daughter of the hill man is as beautiful as a mountain goddess. Kuṉṟak kuṟavaṉ kātal maṭamakaḷ Varaiyara makaḷirp puraiyuñ cāyalaḷ Aiyaḷ arumpiya mulaiyaḷ Ceyya vāyiṉaḷ mārpiṉaḷ cuṇaṅkē A short commentary on Ainkurunuru anthology was published in the medieval anonymously. Swaminatha Aiyar, along with a detailed commentary. The invocation song at the start of the anthology was written by Perunthevanaar, who translated the Mahabharatham into Tamil. Mullai - 100 poems on patient waiting for the lover's return, by Pēyaṉār.Pālai - 100 poems on separation, by Otalānraiyār.Kuṟiñci - 100 poems on union of lovers, by Kapilar.Neytal - 100 poems on lamenting the lover's absence, by Ammuvaṉār.
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Marutam - 100 poems on jealous quarrelling, by Ōrampōkiyār.The work is divided into five sections by different authors: For example, it mentions the kutumi, or the "pigtail of Brahmin boys". The Ainkurunuru has allusions to 17 historical events and offers some window into early Tamil society. However, the poetry shows relatively few loan words from Sanskrit. This may have been, according to Zvelebil, a Sanskrit literature ( sataka style) influence on this work. Įach poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere. The poems are set in various landscapes ( Tinai - திணை). These poems deal with the various aspects of the courtship between the hero and the heroine. The poems of this anthology are in the Akaval meter. This book comes under the Akam (love and emotions) category of the Sangam literature. The poems in this book were written by five authors and were compiled by Kudalur Kilar at the behest of Chera King Yanaikkatcey Mantaran Ceral Irumporai. The Ainkurunuru anthology manuscript includes a colophon which states it to be a Chera ( Kerala) text, rather than the more common Pandyan kingdom-based. According to Takanobu Takahashi – a Tamil literature scholar, these poems were likely composed between 300 and 350 CE based on the linguistic evidence, while Kamil Zvelebil – another Tamil literature scholar – suggests the Ainkurunuru poems were composed by 210 CE, with some of the poems dated to 100 BCE. According to Martha Selby, the love poems in Ainkurunuru are generally dated from about the late-2nd-to-3rd-century-CE ( Sangam period). The five groups are based on tinai (landscapes): riverine, sea coast, mountain, arid and pastoral. It is divided into five groups of 100 short stanzas of 3 to 6 lines, each hundred subdivided into 10s, or pattu. While the lovely folds of your loins, wide as a chariot's seat, vanish as your circlet worked from gold grows far too large for you.Ainkurunuru ( Tamil: ஐங்குறுநூறு, Aiṅkuṟunūṟu ? meaning five hundred short poems ) is a classical Tamil poetic work and traditionally the third of the Eight Anthologies ( Ettuthokai) in the Sangam literature. He has gone off all by himselfbeyond the wasteswhere tigers used to prowland the toothbrush trees grow tall,their trunks parched,on the flinty mountains, She then incorporates notes explaining shifting contexts. Selby introduces each section with a biographical sketch of the poet and the conventions at work within the landscape. Groups of verse center on one unique figure, in some cases an object or an animal, in others a line of direct address or a specific conversation or situation. Because of their form's short length, the anthology's five authors rely on double entendre and sophisticated techniques of suggestion, giving their poems an almost haikulike feel. Martha Ann Selby, well-known translator of classical Indian poetry and literature, takes the bold step of opening this anthology to all readers, presenting crystalline translations of 500 poems dense with natural imagery and early examples of South Indian culture. Commissioned by a Cera-dynasty king and composed by five masterful poets, the anthology illustrates the five landscapes of reciprocal love: jealous quarreling, anxious waiting and lamentation, clandestine love before marriage, elopement and love in separation, and patient waiting after marriage.ĭespite its centrality to literary and intellectual traditions, the Ainkurunuru remains relatively unknown beyond specialists. Dating from the early decades of the third century C.E., the Ainkurunuru is believed to be the world's earliest anthology of classical Tamil love poetry.